August 15, 2012

Persuasion Read Along #1

I am so excited to participate in my first read along, which happens to coincide with Austen in August, hosted by The Book Rat. I adore Jane Austen's books and jumped at the chance to participate in a read along of Persuasion.

A few questions about me and my history with Jane Austen's works

1. Was Persuasion the first Austen book you read?

No. As I'm sure is the typical answer here, I was first introduced to Jane Austen's work by reading Pride and Prejudice.

2. Is this the first time you've read Persuasion?

Once again, my answer is no. This read along will be my second time reading Persuasion.

3. How many other Austen books have you read?

I've actually read all of Austen's books. I had a class a few years ago that was all about Jane Austen. We read her six major works (Northanger Abbey, Sense and Sensibility, Pride and Prejudice, Mansfield Park, Emma, and Persuasion), along with a selection of her juvenilia and the unfinished Sandition. We also read Frances Burney's Evelina and Anne Radcliffe's The Italian to look at major works that would have inspired Austen's writing. The class gave me a much better appreciation of Austen and I love all her works (though Pride and Prejudice continues to be my favorite).

4. Will you read more of them/reread them?

I feel very busy and overwhelmed with the amount of books I'd like to read in the nearby future, so I'm not sure when I'll take the time to reread them. But I own five of her major works (I need to buy better versions of Northanger Abbey and her juvenilia and Sandition), so I do plan on rereading them. I think Jane Austen's stories are the kind of stories that need to be savored with multiple rereads over the years.

Now on to the read along questions...

BEGINNING  (Chapters 1-7)  

1. What are your initial impressions of the story? Do you like the set-up for the world and the conflicts? Did you find any of it hard to understand or relate to? 

I find Persuasion to be a very different story from the kind that Austen usually tells. Austen's stories commonly deal with societal criticisms and romance, but those themes are much heavier in Persuasion. There's a sense of nostalgia and also a little foreboding in this novel, but still her characteristic satire. Here Jane Austen looks at the demise of the aristocracy and the breakdown of the current society. I found the beginning to be a little frustrating, however, because the first few chapters felt like purely set-up for later events. Although I cannot say that Austen is known for her action in books, I still felt inundated with backstory here, which made it a little difficult to get into the story.

2. What are your impressions of the characters so far? Especially in regards to Anne, who is considered quite a bit different from other Austen heroines (besides being the oldest, she's had love and let it go, and now has had years to reflect on that).  

Based on the first seven chapters I barely like any of the characters, but I think that was an intentional choice on Austen's part. The Elliots and their extended family are full of issues. Walter Elliot is literally stuck on the past - it seems as though his most prized possession is a family history that details how great the Elliots once were. His daughters Elizabeth and Mary are selfish and unkind. And Anne is so incredibly downtrodden and defeatist. I'll take it easy on her though since I don't see how living with relatives such as hers could leave anyone whole and sound. I do agree that Anne is different from the more popular Austen heroines who tend to be feisty and speak their minds, especially in terms of love. I'm thinking of Elizabeth Bennet and Emma Woodhouse and Marianne Dashwood. But Austen did write her share of more serious and less confident heroines as well, such as Elinor Dashwood and Fanny Price. In fact, if my memory serves me right, Anne Elliot can be said to have a lot of similarities to Mansfield Park's Fanny, who also allowed herself to get pushed around by others. While reading the first part of the novel I just wanted to tell Anne to fight back and to tell her family that she does have worth.

3. Do you think Anne was right to have yielded to the pressure of those close to her - to have been "persuaded" - not to accept Wentworth's first proposal? 

Yes and no - Of course I like it when romantic relationships work out and I enjoy reading about those where people get and stay together against the odds, but I felt that since Anne was so easily persuaded in the first place to refuse Wentworth, she wasn't mature enough to have married Wentworth right then anyway. Although he did go on to make his fortune, if they had married then Anne would have been left alone with her family when he left again and been tormented endlessly about her bad decision. But it makes me sad that she didn't accept his proposal. Not only has she been unable to get him out of her mind, but her life has literally begun to crumble apart. As Captain Wentworth says upon seeing her again after all this time: "[She was] so altered he should not have known [her] again." Austen makes it sound as though Anne hasn't really found any other reasons to enjoy life since she gave up Wentworth, and that is really depressing.

4. What do you make of Anne's family (and extended family, including Lady Russell), and her place among them? How do the people in Anne's life treat her, and what was your reaction to that?  

Poor Anne! Her family really is just awful to her. I just don't understand it. She's ignored by her father and two sisters unless they have a need for something from her, but I don't entirely understand why that was. It's a little frustrating for me that she's so incredibly passive, almost acting like she simply accepts the idea that she's worthless and no one should like her. Lady Russell is the one good character who actually seems to care about Anne's happiness and well-being.

5. Discuss Anne's first few meetings with Wentworth, or Wentworth's entry into the story in general.

I think that Wentworth's arrival in the story really signals the beginning of everything, acting almost like a catalyst for the upcoming events. To me it seems as though Wentworth has had quite the impact on Anne's life - more so than simply being a lost love. He's obviously still bitter about the way things ended, as evidenced by his biting remarks about how Anne has changed. But I think Anne has been even more affected by it. Except for Lady Russell, Anne seems to have no escape from her cruel family or any indication that others care for her. I've read this story before but I don't remember it too well, so I am anxious to read about future interactions between Anne and Captain Wentworth.
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August 13, 2012

Recommend A... Book with a Blue Cover


Recommend A... is a new weekly feature hosted by Chick Loves Lit, where bloggers recommend a book based on a specific prompt. This week's prompt is to recommend a book with a blue cover.

Harry Potter series, #5

It took me about a minute to come up with a recommendation for this prompt. Harry Potter is one of my favorite series ever and, as an aspiring author myself, J.K. Rowling is one of my greatest inspirations.

I trust that everyone has read the book by this point in time (or *cringe* at least seen the movie version), so I won't spend any time discussing the plot. Harry Potter and the Order of the Phoenix is the fifth book in the Harry Potter series and my second favorite overall (the seventh is naturally my favorite of them all). I think is it at the beginning of this book/end of the fourth book where the series irrevocably changes from children's literature to YA literature. Here Harry begins to finally understand that good and evil aren't so easily categorized, and that sometimes people would rather believe lies simply because the truth is too painful to acknowledge.

In some ways Harry, Ron, and Hermione are dealing with very typical teenage problems: harder classes, raging hormones, stress, and changing relationships, to name a few. But there are so many more issues they must deal with. In this book Harry is presented with an ever-increasing amount of challenges and obstacles as he tries to attend classes, enjoy life with his friends, and proclaim the truth as most of the wizarding world considers him to be a liar. And the loss and pain experienced in this book is so emotional. I love Harry. I spent a lot of this book just wanting to give him a hug and tell him that things will get better eventually. It takes a special person to have been able to deal with all the trauma and tragedy of this book, but of course Harry is such a special person and probably my favorite male protagonist ever.

I just love this book. If for some reason you haven't read it yet, do so ASAP. Otherwise, let me know whether Harry Potter and the Order of the Phoenix ranks among your favorites in the Harry Potter series.
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August 12, 2012

Review: Seraphina by Rachel Hartman


Seraphina by Rachel Hartman
Published: 2012, Random House
Series: Seraphina, #1
Genre: Young Adult Fantasy
Source: Personal book



Once I had suspended over this vast space, hanging and helpless, at a dragon’s mercy. Once I had feared that telling the truth would be like falling, that love would be like hitting the ground, but here I was, my feet firmly planted, standing on my own. 

We were all monsters and bastards, and we were all beautiful. 


Sometimes people ask me in bemusement why I love the fantasy genre as much as I do. There are tons of arguments I have for the importance of the fantasy genre and I definitely mention those, but sometimes it's just best to let great fantasy books speak for me. The next time anyone asks me how I can really enjoy books that take place in a fantastical world and feature non-human characters, I'm going to recommend that he or she reads Seraphina by Rachel Hartman.

Seraphina Dombegh is the incredibly talented young musician recently chosen as the assistant to the court composer. Her recent appointment coincides with the countdown to the fortieth anniversary of Comonot’s Treaty, which established peace in the realm of Goredd between humans and dragons.

But life in Goredd is not as peaceful as it would seem. Prince Rufus was recently murdered, his missing head leaving humans suspicious of a dragon kill. Although those in the palace of the capital city Lavondaville work tirelessly in preparation for the dragon coalition, there’s a sense of unease in the air. Even after forty years humans and dragons refuse to coexist peacefully. As the court composer becomes ill, Seraphina’s own duties increase, all while she must hide the fact that she is half-dragon herself.

The worldbuilding of the kingdom of Goredd and its surrounding countries is incredibly well-done. Although the book does not have a map, I felt as though Hartman’s descriptions and the appendices in the back really helped give me a good understanding of the world. I treasured every new discovery about Goredd, from the mythology, the religion focused on saints, the history, and the place of dragons in the world. I also loved the role of music within the story. Reading so much about music made me wish that I had some musical talent.

Hartman’s new take on dragons is particularly well-done. Yes, through the book readers can tell that humans dislike dragons because their natural form is not human and because they can “hide” in human form. But the differences between the human and dragon cultures are much deeper than that. Dragons suppress emotions and try to maintain every aspect of their lives in ard. They appear superior as they strive for order and understanding, which gives humans reason to fear and hate them. Yet dragons are inferior when it comes to playing music. It seems like such a little thing, but they cannot properly express their emotions or improvise through music. I loved this flaw – at first it seems so little, but over the course of the novel this one flaw helped me better understand the dragon race.

Seraphina is a wonderful protagonist. She’s sensitive and hurting inside, yet she’s able to show such a strong and prickly exterior to others. My heart cried out for her in one scene where she literally tries to remove physical remnants of her heritage. Her dragon mother left her memories, so Seraphina does indeed have a better understanding of both the human and dragon races. But Seraphina is so alone – she really only has her dragon uncle and tutor Orma for support, and he cannot be there for her constantly. Despite the many difficulties present as she tries to fit in with the other Goreddis, Seraphina never allows her pain to control her or sinks into a depression. This is the kind of strength I love the most.  

All of the other characters are also very realistic and well-crafted. That’s not to say that I liked them all – but I did appreciate how Hartman made all of her character so three-dimensional. So many of them have to struggle between duty and personal beliefs, mirroring Seraphina in a way and yet also showing other aspects of her world. Although I like Kiggs’ character, I am not sure how I feel about the romantic relationship he develops with both Princess Glisselda and Seraphina. Neither felt one hundred percent authentic to me. Of all the characters, I also felt as though the antagonist is the least-developed character. I’m not quite sure if it was even possible to develop the antagonist more, however, and, if I had to pick, I would rather have had more emphasis is put on everyone else’s internal struggles anyway.

Other aspects of the book that I initially found discomfiting – basically everything related to Seraphina’s garden of grotesques and her mother’s memories – begin to tie together nicely as the novel continues. Hartman offers so many little details about this world that, while I wish there would be encyclopedias and histories and spin-offs written, I also feel like I knew enough while reading to be sufficiently content. I am satisfied with the ending and the hinted direction of the next installment of this series.

As I mentioned earlier, books like Seraphina are the reason why I love the fantasy genre so much.  This is such a subtle, well-imagined, and intelligent fantasy. Yes, it features a world of dragons and magic, but those all simply work to assist the bigger message. Seraphina is all about acceptance and the characters learning to overcome stereotypes. Not so much removed from issues we face in our world after all.
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August 8, 2012

Waiting on Strands of Bronze and Gold by Jane Nickerson

Waiting on Wednesday is a weekly meme hosted by Breaking the Spine that spotlights any upcoming releases that we’re eagerly anticipating.
 Release date: March 12, 2013
A sweeping Gothic thriller based on the spine-chilling "Bluebeard" fairytale.
17-year-old Sophia Petheram has been sheltered by her doting family all her life, until the day her father dies. It's 1855, and with no money and few options, she goes to live with her guardian, the mysterious Bernard de Cressac, at the astonishingly lavish Wyndriven Abbey in Mississippi.

Sophie has always longed for a comfortable life, and she finds herself both attracted to and shocked by the charm and easy manners of her overgenerous guardian. But as she begins to piece together the mystery of his past, it's as if thread by thread, a silken net is woven around her. And when she begins glimpsing the ghosts of his former wives (all with hair as red as her own) in the forgotten corners and dark hallways of the Abbey, Sophie knows she's in de Cressac's trap.

With enchanting romance, chilling suspense, and dashes of the supernatural, Strands of Bronze and Gold is a compulsively-readable debut.
(Goodreads)
After recently reading Shannon Hale's The Goose Girl, I've come to the realization that I need more fairy-tale retellings in my life. And this is a Bluebeard fairy-tale retelling! Bluebeard is one of those fairy tales that I've read and am vaguely familiar with and all, but its different versions and retellings have never been on my radar. The Goodreads description promises a dark and creepy tale. I hope it lives up to my expectations! 
What are you waiting on?
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August 6, 2012

Recommend A... Book Someone Else Recommended to Me

Recommend A... is a new weekly feature hosted by Chick Loves Lit, where bloggers recommend a book based on a specific prompt. This week's prompt is to recommend a book someone else recommended to me.
The Spiritwalker Trilogy, #1
 It's partially due to this one good high school friend of mine that I've been reading YA fiction almost exclusively for the past six or so months. There are so many classics that I need to read, and I feel like those gaps in classical literature somehow make my English degree seem not as valid. A weird rationale on my part, I know. But after she told me how YA is where so many major advances in literature is these days and gave me a number of recommendations, I have yet to go back to classics. I won't give her all the credit, but I do respect her recommendations. She once said that she'd love to have a job where she simply read and recommend books to others, and she is very good at this.
Anyway, Cold Magic was one of the books she recommended to me at the very beginning of the year, and I am very glad she did. Cold Magic has a lot of the features I adore in my books. There's a strong female protagonist, a relationship built on misunderstanding and the gradual effort to remedy initial actions and feelings, a focus on a female relationship, and some crazy creative world-building.
Cold Magic is the story of Catherine and Beatrice Barahal, young scholars, cousins, and best friends. In their alternate universe, the Roman Empire lasted until the year 1000 and now, during another ice age in the nineteenth century, the European continent is settled and controlled by some historically repressed groups, such as Africans and Phoenicians. The central problem in Europa seems to be the struggle between magic and science/technology, between old ways of society and new ones. At the heart of the conflict are two groups: the Cold Mages and their houses versus the princely houses, which have between them most of the other people locked into a feudal-type system. When the Barahal family is called upon to redeem a promise made years ago to a Cold Mage house, Cat's life is turned completely upside-down. Cat is forced to question so many parts of her existence that she's taken for granted as she journeys across Europa. 

Although the book is marketed as steampunk, there really aren't that many technological innovations or references. But despite that, this story is so immersive. Cat is a strong believable heroine who is literally fighting for her survival. But at the same time her thoughts are much more focused on her cousin Beatrice and she worries about Bee's safety. For the majority of the book Cat and Bee are separated, so it speaks to the power of Cat's feelings that I still got a really good sense of their relationship and how important they were to one another. I loved how the story uses Cat and Bee's relationship to question the extent of love and friendship and family, and what one's priorities are in the face of hard decisions. Of course, there's also a romantic relationship here that seems pretty promising. I'll just end with one final reason that Cold Magic is awesome: sentient dinosaurs! (I may have initially thought that they were birds...) Okay, maybe they are not as interesting in the book as other aspects but, still, they're cool.
This is a rather lengthy book and doesn't always have the fastest pacing; it is definitely deliberate and subtle in its nature. But becoming immersed in Cat's world is worth it.
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August 2, 2012

Review: The Goose Girl by Shannon Hale


The Goose Girl by Shannon Hale
Published: 2003, Bloomsbury USA
Series: The Books of Bayern, #1
Genre: Young Adult Fantasy, Retelling
Source: Personal ebook


There in the cold, blue shadow of winter night, Ani cried for Falada, and for the beauty of the language of the wind, and for the reminder of who she was. 


I need to preface my review by first stating that I absolutely adore fairy-tale retellings. Fairy tales are usually so short and lack details and characterization, yet they're still able to grasp at universal truths and themes that continue to resonate in our daily lives. I was familiar with the Grimm brothers' tale "The Goose Girl" before reading Hale's version of the tale. I even reread the Grimms version before diving into Hale's retelling, but that did not make my reading experience any less enjoyable. Because I already knew the general gist of the story, I could really focus on what Hale does differently, and how she's able to breathe new life into this story.

The Goose Girl tells the story of Anidori-Kiladra Talianna Isilee, crown princess of the kingdom of Kildenree. After ostensibly spending the first sixteen years of her life in preparation to become her country's queen, Ani suddenly learns that the rule will pass to her brother while she is being given in marriage to the prince of Bayern, a neighboring kingdom. While not happy with the news, Ani is not the rebellious type and is willing to do what her mother commands. On the three-month journey to Bayern, Ani's own guards rebel against her. By the time she finally enters the capital city of Bayern, Ani must assume a new identity and take on work as the city's goose girl. She is willing to be patient, but she is determined not to let the truth remain hidden forever.

When retelling someone else's story, I imagine that it's always a concern of how to make your retelling stand out and become a legimitate story in its own right. I think that Hale does a fantastic job in her retelling of this classic (but perhaps not incredibly well-known) Grimms fairy tale. As with most fairy tales, "The Goose Girl" almost reads like the bare bone outline of a story. Throughout her retelling, Hale works to flesh out the original tale. We're given names for the characters, as well as personalities and motivations. I have recently come to the conclusion that I really do enjoy reading about political conflicts within stories, as long as they're not too drawn-out or feature too many characters/countries. With that being said, I really enjoyed the politics that Hale added between the countries of Kildenree and Bayern, as well as the smaller political conflicts between the different inhabitants of Bayern. All of the political and social issues gave the characters greater drive and actually helped to explain some of the parts that the original fairy tale simply revealed as a matter of fact.

I thought it was interesting how Hale chose to interpret the magical influences of the original tale. In the tale, the princess' horse Falada can speak and whenever the goose boy comes close to taking a strand of the princess' hair as she brushes it, winds rise up and cause him to chase his hat across the field. Instead of leaving those events unexplained and at odds with the rest of the story, Hale created the concept of the three types of speech: people speech, animal speech, and wind speech. Ani is not gifted with people speech (or the ability to speak eloquently and convincingly to other humans), but she finds out that she has a knack for animal speech, and wind speech is something that she gradually acquires. While I appreciate the fact that Hale chose to stay very close to the source material and thus created these different speeches, one always has to be careful while adding magical elements in a story. I liked the inclusion of the different speeches and felt it was a unique touch, but the various speeches turned the climax into too much of a deus ex machina for me, where the magical powers more than the characters themselves solve the major problems.

Ani is a great protagonist and I really enjoyed witnessing her growth throughout the course of the novel. Ani starts out as an incredibly naive and defeated character. She has absolutely no confidence in herself and her abilities, constantly comparing herself to — and coming up short of — her mother, the great queen of Kildenree. Ani really doesn't desire to be queen and is bored by her life, but she knows her duties and does have a strong sense of responsibility. And, adhering to the formula for most fantasy novels, Ani must undergo both a physical and mental journey to finally come into her own. Ani is so very likable and definitely exhibits the importance of inner strength (a very good thing especially when the literary marketplace is deluged by so many actual fighting female protagonists). Against Ani, all of the other characters fall a little flat. (The only adjectives I can use confidently to describe love interest Geric are "kind" and "just.") But I do think this is partly due to the narration style. And flatter secondary characters simply gave me more of a reason to root for Ani and her personal development.

I am at a loss in terms of how to consider the novel's reading level. In the past I'd have called this a Young Adult novel without question, but I know that a lot of people see this as a Middle Grade novel. I tend to judge a book's target audience based on the age range of the protagonist and major characters. Of course there are always exceptions, but for the most part I think it’s pretty accurate. For the majority of the book Ani is sixteen while her maid Selia is eighteen. Some of Ani's friends are younger, but the novel's narration is done in a third-person limited perspective from Ani. For me this is definitely a YA novel, although perhaps it can be considered a younger YA. Certain aspects such as the romance and violence are written in a slightly more juvenile perspective. But they're all simply labels in the end and don't really affect my enjoyment or understanding of the book.

I can't wait to read more of Hale's work in the future! This is such an enchanting tale and I am always on the lookout for great fairy-tale retellings. I've already purchased The Book of a Thousand Days for my Kindle. I won't be reading or reviewing it for a while, however, since right now I am working on my own interpretation of "Maid Maleen," the Grimms fairy tale that inspired that book.
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July 31, 2012

One Fan's Appreciation

Happy Birthday, Harry James Potter! Happy Birthday, J.K. Rowling!

I just wanted to give a shout-out to the protagonist of one of my favorite book series ever, as well as the author who has been one of my biggest inspirations.

“It matters not what someone is born, but what they grow to be.” 

Words cannot express how much the Harry Potter series have meant to me over the years, or how profoundly my life has been affected by the books. From Hermione I learned the importance of sticking up for your beliefs and how intelligence can be such a strength. From Ron I learned about loyalty and the power of friendship. From Harry I learned to treasure family, the power of love, the importance of sacrifice, and how to live a life full of good morals.

Although Harry's wizarding world may not be real, it's given me a better understanding of our own world, how important each and every person's life is, and how our decisions will always have bigger implications. There may be problems in his world, just as there are in ours, but there's also always hope.
 
“We're all human, aren't we? Every human life is worth the same, and worth saving.”  

Thank you, J.K. Rowling. If I can ever affect anyone as the Harry Potter series have affected me and so many others, I should consider my life to be well-spent.

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