Showing posts with label retelling. Show all posts
Showing posts with label retelling. Show all posts

May 22, 2014

Review: Boy, Snow, Bird by Helen Oyeyemi


 
Boy, Snow, Bird by Helen Oyeyemi
Published: 2014, Riverhead Books
Genre: Historical Fiction, Retelling
Source: Won

We’re friendly toward strangers because of a general belief (I don’t know where it comes from) that we’re born strangers and that the memory of how that feels never really leaves us.



Boy, Snow, Bird is being touted as a historical fiction retelling of “Snow White” set in 1950s America. The fact that it is a retelling is the primary reason I became interested in reading this story. The retelling, however, is more of an afterthought than anything else. Instead, Oyeyemi’s novel focuses on the trials and tribulations that three women face: Boy, her stepdaughter Snow, and her daughter Bird.

Boy Novak’s beauty is widely acknowledged, and she has grown up frequently admiring her reflection in mirrors. But Boy’s life is far from perfect. She has grown up without her mother, and her father makes a living catching rats. He also likes to abuse her in her spare time. So when Boy finds herself with an opportunity to leave her father for good, she takes it and travels up to the small New England town of Flax Hill.

In a small town where everyone seems to know everything about each other, Boy is treated with suspicion and envy. Until, that is, she befriends some of the locals and begins working at a bookstore. Still, it isn’t until Boy begins a serious relationship with Arturo Whitman, local scholar-turned-jeweler, that she finally begins to feel she may have a place in Flax Hill after all.

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March 27, 2014

Review: Cress by Marissa Meyer



Cress by Marissa Meyer
Series: The Lunar Chronicles, #3
Published: 2014, Feiwel and Friends
Genre: Young Adult Science Fiction, Retelling
Source: Library 
Contains spoilers for Cinder (my review), Scarlet (my review)
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“Captain?"
"Yeah?"
"Do you think it was destiny that brought us together?"
He squinted and, after a thoughtful moment, shook his head. "No. I'm pretty sure it was Cinder.”


Thank goodness. I suppose I can count myself among the legions Marissa Meyer’s fans once again. I loved Cinder but had a bit of a rockier relationship with Scarlet. In retrospect, I think that my dissatisfaction of Scarlet stemmed primarily from the fact that Cinder was no longer the primary protagonist, just as her journey was no longer the centerpiece of the story; she fully shared the story with Scarlet. I get a little attached to my protagonists and their personal stories, so it was a rough adjustment for me to accept Scarlet’s story in Scarlet. Because I better anticipated the narrative format of Cress (and was willing to embrace the dual storylines), I ended up quite enjoying this one.


(As a sidenote, please tell me that there are others out there who, like me, don’t like stories with multiple points of view and protagonists as much as a story documenting one person’s tale. I can’t be alone in this.)

As Cress begins, Scarlet and Wolf have teamed up with Cinder and Thorne abroad Thorne’s Rampion spaceship. After the heavy casualties sustained from a Lunar attack on major Earthen cities, Prince Kai of the Eastern Commonwealth has agreed to marry Queen Levana of the Lunars. Bloodshed has stopped for now, but Cinder knows that the peace is temporary, that Levana won’t be content to be Kai’s equal, but will be planning to destroy him and subjugate all people of Earth under her rule.

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January 16, 2014

Review: Scarlet by Marissa Meyer



Scarlet by Marissa Meyer
Series: The Lunar Chronicles, #2
Published: 2013, Feiwel and Friends
Genre: Young Adult Science Fiction, Retelling
Source: Library
Contains spoilers for Cinder (my review)
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Once people had looked at her with revulsion. Now, people were terrified of her.
She wasn’t sure which was worse.
She wanted to scream to the world that it wasn’t her fault she was this way. She’d had nothing to do with it.
It surely wouldn’t have been her choice if one had been given to her.
Lunar.
Cyborg.
Fugitive.
Outlaw.
Outcast.



It’s been two weeks since Scarlet Benoit’s grandmother has gone missing. Two weeks full of heartache and fear as Scarlet goes about their farming business, allowing the police to figure out what happened to Michelle Benoit. But when Scarlet receives a message that the police are no longer going to investigate what they believe to be a voluntary departure, she knows that she’ll have to take matters into her own hands. Even if taking matters into her own hands means forging an alliance with a street fighter named Wolf with a shadowy past.

With the help of Dr. Erland, another Lunar-in-hiding, Cinder is given the means to escape from prison. And with the help of fellow prisoner Captain Carswell Thorne, Cinder is given access to a spaceship and freedom...for now. But running from the combined forces of the Eastern Commonwealth and the Lunars is no easy task, however, and while on the run Cinder has to decide what to do with the newfound knowledge that she is Princess Selene, the heir to the Lunar kingdom.

As with so many other readers, Cinder captivated me. I devoured Meyer’s sci-fi “Cinderella” retelling and was ecstatic to learn that each book in her Lunar Chronicles quartet would retell a different fairy tale. Scarlet is a retelling of “Little Red Riding Hood” — a retelling that also continues on with the story first told in Cinder (now, though, the “Cinderella” elements appear to have ended for protagonist Cinder). As quickly as I devoured Scarlet, however, I have to admit it did not have quite the same effect on me that Cinder did.

In the first book, readers are introduced to a futuristic society where the Earth is divided into a few key nations, people are dying from a disease known as letumosis, and the Earth is threatened by a society from the moon. Amidst all the creativity of Cinder, my favorite part was Cinder herself. I loved that Cinder is a cyborg, and the many questions regarding morality and humanity that the book posited because of that. Self-deprecating, kind, and brilliant Cinder is a heroine I can easily root for and I loved that her story is a twist on “Cinderella.”

Scarlet is still Cinder’s story, but now Cinder shares the spotlight with another heroine: Scarlet. I like Scarlet; really, I do. She’s feisty, resourceful, and determined. She wields a gun and has no compunction doing whatever is necessary in order to find her grandmother. The problem, I think, is that I could not muster up the same amount of empathy for Scarlet that I could for Cinder. Scarlet may be all alone trying to right her portion of the world by rescuing her grandmother from who-knows-what, but I had trouble really connecting with her on an emotional level. At times she felt a little too bit like a cookie-cutter fighting heroine for me.

In addition to Cinder and Scarlet, certain secondary characters return and a few new ones are added to the mix. Three males share a bit of narration themselves: Emperor Kai of the Eastern Commonwealth, Thorne, and Wolf. I honestly don’t think the limited narratives of Thorne or Wolf added much to the overall story, and Kai’s bits felt a little...dry. Perhaps Meyer wanted to use Kai show the precarious political state of Earth-Lunar relations. If that is so, then I feel like the political intrigue should have had even more of a focus. If not, though, I think it would have been even more effective for the readers to have as limited knowledge about Levana’s bid for supremacy as Cinder and Scarlet do.

While I appreciate what I think Meyer hopes to accomplish in the widening of her world, it just didn’t work for me. As much as I love epic stories set across sprawling terrains, I still want to feel a sense of solidarity with a main character. If I’m already having slight issues feeling that way in Scarlet (which contains two ostensible protagonists, but incorporates at least five different viewpoints), then I’m a bit nervous as to how I’ll react to Cress and Winter. As much as I think it’s wonderful for authors to really immerse their readers into the lives of their characters, I think it’s just as important that authors know which characters (and storylines) deserve the most attention. I only hope Meyer is able to balance this fine line effectively in the final two installments of this series.

Still, I do think that Meyer was able to effectively manage the two main storylines for the majority of the book. I never experienced any confusion over whose individual story was being told, nor did I forget where the narration had left off each time it switched to the other character. And, most impressive of all, my interest was equally divided between Cinder and Scarlet. Sure, there were chapters that ended with tense moments, only to have the following chapter told from a new perspective. But by and large, I was very interested in the events of each protagonist’s story. 

All qualms aside, Scarlet is fairly entertaining and inventive. The characters and world developed over the past two books are left on tenterhooks, poised on the edge of catastrophe; of course I’m eager to read what happens next! Even though I did have my issues with this book, Meyer has a well-deserved legion of fans, and I hope to be able to count myself among them again in Cress.

Rating: 3.5 stars

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November 11, 2013

Review: Splintered by A.G. Howard



Splintered by A.G. Howard
Published: 2013, Amulet Books
Series: Splintered, #1
Genre: Young Adult Fantasy, Retelling
Source: Won through the Debut Author Challenge
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“You understand the logic behind the illogical, Alyssa. It's in your nature to find tranquility amid the madness. And that's what we're doing here. We are giving our food a fighting chance.”


“We’re all mad here.”

Although these words are first spoken by the Chesire Cat in Lewis Carroll’s novel Alice in Wonderland, they remain as pertinent as ever in Splintered, one of the newer renditions of the tale. More of a reimagining than a retelling, Splintered envisions an alternate world where a modern girl rediscovers Wonderland and the ties it has to her family.

Alyssa Gardner knows what madness is like. She has the dubious honor of being a distant relation to Alice Liddell, the girl who acted as Lewis Carroll’s inspiration for Alice in Wonderland. She and her father spend every Friday afternoon visiting her mother in a local asylum. There’s talk of a curse in her family, an inherited madness that passes from female to female, but so far no one has worried about Alyssa’s sanity. Because no one knows that Alyssa took up skateboarding and prefers to wear headphones as ways to escape from the constant voices of nearby plants and animals.

As her mother’s condition worsens, Alyssa begins to search deeper into the history of her family and Alice’s connection to Wonderland. Wonderland, which isn’t such a fairy tale after all. To protect her mother’s remaining sanity, as well as her own, Alyssa is willing to do whatever it takes, starting with finding a way to travel down the rabbit hole into Wonderland itself.

Whimsical and madcap, in many ways Splintered is the perfect modern-day companion novel to Carroll’s tale. It’s been a few years since I’ve read Alice in Wonderland, but I do think that A.G. Howard does a good job transporting readers back into a world very like Carroll’s and yet with subtle details and twists that are undeniably her own creation. The Wonderland Alyssa enters is darker than the place where Alice ventured. In fact, parts of it are downright terrifying. Wonderland residents hint that the darkness is partially Alice’s doing, and Alyssa hopes that by righting the wrongs there, she can break her family’s curse. Of course, in Wonderland nothing is ever as it seems.

Against such a vibrant, lush setting firmly entrenched in the literary canon, it would be a struggle for any author to rise above the inspiration and distinguish her own creativity. And it is certainly true that the places this book falters the most are those not directly inspired by Carroll’s original work: mainly, the characters. I liked Alyssa. I liked how tough she is, how she is unashamed to walk to the beat of her own drum. But her tough exterior comes at a price. I had a difficult time understanding her relationships with others, especially with her family members. After dealing with many tough situations in her life, Alyssa has understandably put up a wall around herself, but that same wall made it difficult for me to really grasp how her relationship with her father, mother, or even her friend/crush Jeb really functioned. Besides, of course, how I as a reader was told that it functioned.

Although the story’s plot is ostensibly about Alyssa’s journey into Wonderland to save her family, her mother, and ultimately herself, at times it read a lot like a paranormal romance. And what’s a paranormal romance without a love triangle? Alyssa and Jeb, the guy next door, have the history for a great relationship - but only if readers are willing to excuse the fact that Jeb is currently in a relationship with another girl. I understand that feelings are complicated, and for the most part I was able to look past that fact.

Alyssa’s other potential suitor is Morpheus, one of the inhabitants of Wonderland. Conveniently enough, he also has a history with Alyssa. I had an even more difficult time swallowing the authenticity of their relationship. For the most part, Alyssa does not remember their history, and, because of that, her feelings for him feel a bit flat to me.

Neither of these two romantic interests appealed to me. I’ll be honest, though, and admit that this might not have been the case if I had first read this book a few years ago when I was closer in age to the characters.

For all of its flaws, Splintered was compulsively readable. Howard writes very well and I quite enjoyed seeing how she manipulated the original tale to make it fit with the story she presented. That is by far the strongest aspect of Howard’s work. Howard’s story is respectful of the original work, and yet is able to take some fairly successful twists and turns along the way.

I think the story ends on a satisfying note. Not all questions are answered and not all threads are neatly tied, but there’s a sufficient sense of closure. It has been announced, however, that Splintered is the first book in a trilogy. I probably will continue with this series. Like Alice herself, I’m far too curious for my own good.

Rating: 3 stars

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February 25, 2013

Review: Tam Lin by Jane Yolen



Tam Lin by Jane Yolen
Published: 1990, Harcourt Brace Jovanovich
Genre: Children's picture book, Retelling
Source: Library book


"Do not go down to Carterhaugh..."

When the worlds of humankind and the Faery Folk sit side by side—with moonlight and mist the only door between—young Jennet MacKenzie defies her parents' warning and embarks on a quest to win back the forbidden Carterhaugh, her ancestral home. One evening at the dilapidated mansion Jennet comes upon a blood-red rose amid the twining thorns. When she plucks it, it summons forth Tam Lin, a handsome captive of the Faery Queen. With courage and spirit, Jennet challenges the power of the Queen to save the life of Tam Lin and to win back the home that is rightfully hers.

Master storyteller Jane Yolen, winner of the World Fantasy Award, and prize-winning artist Charles Mikolaycak re-create the mystery and enchantment of this ancient Scottish ballad. (Book jacket) 


I ended up enjoying both the "Tam Lin" picture book retellings that I read. There's something about conveying the simplicity of the original tale through the picture book medium that works very well (and I believe this is true for all fairy tale and fable retellings). The stories themselves may remain rather simple (but never simplistic), but the accompanying images help to convey more than words ever can. 

As always, Yolen keeps the focus of her retelling on Jennet MacKenzie, the daughter of a Scottish clan chief, deemed unweddable "for she always spoke what she thought." It is her desire to help restore her family, coupled with her disregard of conventions, that causes Jennet to decide that her first act as an adult of age would be to reclaim Carterhaugh. Once Jennet makes that declaration to her parents, Yolen's Tam Lin continues down the familiar and well-trodden path of early versions.
 
Most interesting are some of the ways in which Yolen alters the tale to make it suitable for her young audience. Carterhaugh is not a danger to maidens in particular, as all children are warned to avoid the land and ruined castle full of horrible smells and strange shadows. Mantles and rings are still lost to the mysteries of Carterhaugh, but not as explicit payment to the fairies. No mention is made of a Tam Lin who keeps to the woods of Carterhaugh, although Jennet's parents do tell her that the land now belongs to the Fair Folk. Jennet's decision to travel to Carterhaugh is partially driven by her desire to prove that she's brave, partially by the desire to reclaim the land that should still belong to her family. And, once she learns about his plight, Jennet's decision to save Tam Lin is not driven by any sort of instant attraction. When Tam Lin reveals that only his own true human love can save him, and that all those who loved and cared for him have long since died, Jennet resolves to save him herself: "If no one else in this human world loves you, then I must."

The Fairy Queen has a more active role in this version, which really highlights Jennet's struggle to reclaim Tam Lin to the world of the living. Even before a physical test of strength in which Tam Lin changes into three forms within Jennet's arms, Jennet is subjected to an emotional test of strength. First the Fairy Queen offers Jennet money, then jewels, and, finally, ownership of Carterhaugh. Having the Fairy Queen interact more with Jennet and Tam Lin, instead of simply cursing their ability to save Tam Lin, makes the power of the fair folk all the more deadly.
  
I loved how this picture book seemed to be more about helping children in our culture today visualize and understand the story of "Tam Lin" than about Yolen taking many authorial liberties in this version. Images, such as the one pictured here, place a heavy focus on Scottish plaids and other reminders of the Scottish setting. Red and green colors are heavily used throughout the book. The focus on Scotland, however, is not nearly as significant to this tale as is the focus on the characters. The scenery pales in comparison to the characters, which are generally brightly attired and given a central prominence within the images.

At the end of the story, Yolen gives a little background on the original tale and how we can understand it. As I mentioned in my review of Susan Cooper's picture book Tam Lin, most authors of retellings seem to use the "by" tagline. For Cooper's and Yolen's picture book versions, however, the authors each use a "retold by" tagline. It makes me wonder about whether the picture book format makes authors more likely to stick closely to the original tale. 

With all that in mind, how do I think that Tam Lin fared? I found Yolen's deviations from the original tale both interesting and relvant to the audience. I loved the intense focus on Scotland and Scottish culture. Yolen's version is a treasure of a retelling.
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February 23, 2013

Review: Tam Lin by Joan D. Vinge


"Tam Lin" by Joan D. Vinge
Featured in Imaginary Lands, edited by Robin McKinley
Published: 1985, Greenwillow Books
Genre: Fantasy Anthology
Source: Library book
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With the exclusion of the picture books, Joan Vinge's "Tam Lin" retelling may be the most faithful one I've read. Vinge is careful to tread almost the exact same path as the original tale, deviating from it only to bring a little more context to the tale. Her short story is literally "Tam Lin" simply retold by another writer. Still, though, it was interesting to read the reasoning and context that Vinge added to make her story a little fuller, a little more accessible, to her readers.

Jennet is the only child of a wealthy Scottish laird. Carter Hall, a once-great hall currently in ruins, is Jennet's inheritance and the sole link to her dead mother. Jennet's father turned to Christianity after his wife died and expects Jennet to follow his advice on religion and prospective husbands. On this midsummer festival day, however, all Jennet wants to do is celebrate outside with her friends. After watching all of her friends pair up with prospective suitors that night, Jennet, feeling lonely and rebellious and missing her mother, goes to visit the ruins of Carter Hall, where she encounters Tam Lin.

From there, little in the short story is unpredictable, which is not necessarily a bad thing. In fact, the main aspect of the story that I found unpredictable is Jennet's characterization. Although later in the story I was able to go with the fact that this is a retelling and Jennet and Tam Lin are meant for each other, Vinge does not make their first meeting plausible at all. While Jennet's slight desire for rebellion is somewhat explained, I had no idea what led Jennet to make the choices she did. Below, I have briefly satirized their first meeting:
Tam Lin: Hey you can't just pick my roses! And, you know, trespassers must pay a price...How about giving me your cloak?
Jennet: No!
Tam Lin: Those expensive rings?
Jennet: No!
Tam Lin: Well, the only thing you have left to give me is your virginity....
Jennet: Yes, please!
Although perhaps this isn't really too satirical a representation, since that really is what happens in the novel. While original "Tam Lin" versions leave Janet's impregnation vague, Vinge tries to explain what happens. By doing so, however, I was abruptly taken out of my willful suspension of disbelief. Um, excuse me? Why did you just agree to this, Jennet? If there's one thing I hate most in stories, it's when I just can't understand the characters or their motivations at all, and unfortunately that became the case with Jennet on more than one occasion.

Where Vinge's story really shines is how it adds context to further flesh out the original tale. There's a reason behind Carter Hall being in ruins that has to do with the fair folk and Jennet's mother. Jennet has multiple reasons for wanting to ignore her father's admonitions to stay far, far away from Carter Hall. And the religious aspect is probably my favorite part. Jennet's world is one where Christianity is slowly gaining power, but harvest/fertility festivals such as the one being celebrated on Midsummer's Eve still remain popular with the people. "Tam Lin" brings up the question between traditions/old ways and the new ways of life proponed by the Church. As I mentioned in my review of The Perilous Gard, I love how historical and religious details can help me better situate the story.

Of all the "Tam Lin" retellings I read, this one definitely ended on the most dubious note (considering that it is a standalone short story). Not everything is neatly resolved, and it's almost as if Vinge wants her readers to question our own preconceived notions of how, when good defeats evil, we automatically assume that everything will now be perfect. This is not to say that anything bad happens in the end - just that there is a slight tone of uncertainty.

With all of that in mind, how do I think "Tam Lin" fared? This wasn't my favorite retelling, despite how closely it adhered to the original tale, simply because I had a difficult time relating to Jennet. Perhaps the issue here is that by adhering too closely to the story, Vinge did not give herself as much creative freedom to really delve into the major points of the story and find alternate ways to express the same ideas. Nevertheless, this is a short story and still worth reading for anyone looking for another "Tam Lin" retelling.
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February 21, 2013

Review: Cotillion by Delia Sherman


"Cotillion" by Delia Sherman
Featured in Firebirds: An Anthology of Original Fantasy and Science Fiction, edited by Sharyn November
Published: 2003, Firebird
Genre: Young Adult Fantasy Anthology
Source: Library book
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During the winter break of her first year at Vassar College, Celia Townsend is presented at the Snow Ball Debutante Cotillion along with other young Upper-East Side socialites. She agrees to come out mostly for her mother's sake, and, while there, ends up meeting Valentine Carter. Valentine seems like the ideal gentleman: charming and proper and vastly superior to Celia's boyfriend Guy. After a wonderful night at the cotillion, Valentine invites Celia to come listen to him play his lute with some other classical musicians the following evening. It is there that Celia realizes that there is more to Valentine than meets the eye, and that, as Janet was for Tam Lin, she is the only one who can save Valentine from becoming the fairies' tithe.

I have a few criteria that must be met for me to be satisfied by modern updates of classic stories: the modern updates must make sense within the context of the original tale as well as the new setting and the author must still hit the certain core events of the story. Basically, I want to still feel a certain sense of familiarity with the story. I view modernized updates not as completely new stories, but as stories that have been slightly adapted to fit in to their new environments. Thankfully, "Cotillion" met all of those marks and then some.

For the most part, the character modernizations make a lot of sense. Celia modernizes Janet's character by becoming a wealthy young socialite in 1969 New York. Valentine is a classical lutenist who lives in the Village. Instead of a powerful father, here Celia must deal with her mother's worries about her traveling to the Village to visit a young man whom she barely knows. The only significant player that could have been better characterized is the Fairy Queen. I definitely got the vibe that she is all-powerful, but her modernization left me more confused than anything else.

I really enjoyed that in "Cotillion" the characters are aware enough of the "Tam Lin" story and able to recognize that they've become players in a new version of it. "Cotillion" is not quite a retelling of "Tam Lin," however. Valentine and Celia take the "Tam Lin" story as a truth. Because they and the fairies all know how "Tam Lin" concludes, Celia's challenges are not the same as Janet's; she must find new ways to outwit the fairies and save the human under their spell.

Not all of my questions were answered, there are some awkward time jumps, and the characterization could have been stronger. Although I did have those criticisms while reading the story, those criticisms fade a little bit when considered in light of the fact that "Cotillion" is a short story of about thirty-five pages. In such a short span of pages, Sherman really has to pick and choose what elements to give significance to. The focus on "Cotillion" is on Celia's desire for a romantic adventure in her life, and how the rescue of Valentine satisfies that. Even more so than with novels, short stories must leave a lot for the readers to infer. Although Celia agrees to the ball and has a boyfriend, she also has these repressed hopes and desires. Readers can leave the short story content with the fact that this event has had enough significance on Celia's life as to assure new changes and future growth.

With all of that in mind, how do I think that "Cotillion" fared? I enjoyed reading this story and identifying how (and trying to guess why) certain aspects of the story were modernized. I do think that the story loses some significance if the readers do not have an understanding of the "Tam Lin" ballad, although it is explained to some degree within the contents of the short story. While not my favorite "Tam Lin" retelling, this is certainly a solid contribution to the field.
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