September 11, 2013

Waiting on The Kingdom of Little Wounds by Susann Cokal

Waiting on Wednesday is a weekly meme hosted by Breaking the Spine that spotlights any upcoming releases that we're eagerly anticipating.

 Publication date: October 8, 2013 

A young seamstress and a royal nursemaid find themselves at the center of an epic power struggle in this stunning young-adult debut.

On the eve of Princess Sophia’s wedding, the Scandinavian city of Skyggehavn prepares to fete the occasion with a sumptuous display of riches: brocade and satin and jewels, feasts of sugar fruit and sweet spiced wine. Yet beneath the veneer of celebration, a shiver of darkness creeps through the palace halls. A mysterious illness plagues the royal family, threatening the lives of the throne’s heirs, and a courtier’s wolfish hunger for the king’s favors sets a devious plot in motion.

Here in the palace at Skyggehavn, things are seldom as they seem — and when a single errant prick of a needle sets off a series of events that will alter the course of history, the fates of seamstress Ava Bingen and mute nursemaid Midi Sorte become irrevocably intertwined with that of mad Queen Isabel. As they navigate a tangled web of palace intrigue, power-lust, and deception, Ava and Midi must carve out their own survival any way they can. (Goodreads)

Gorgeous cover. A fantasy world set in an non-traditional setting (I'm sure the number of books I've read set in Scandinavia can be counted on one hand). Medieval-sounding time period. Political intrigue galore. A focus on palace servants rather than the upper class. Yes, this sounds exactly like an Amanda book to me.

What are you waiting on?
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September 10, 2013

Top Ten Books I Would Love To See As A Movie/TV Show

Top Ten Tuesday is a weekly meme created by the bloggers of  The Broke and the Bookish. This week we're discussing ten books we'd love to see made into a movie or television show. Since one of my greatest disappointments in seeking films or shows to watch is the lack of solid fantasy stories, I'm going to specifically note some fantasy novels I would love to be adapted for the screen.

Abhorsen trilogy by Garth Nix Vampires and zombies have both had plenty of appearances made on the big screen; I think it's high time to see another side of the supernaturally undead in the necromancers who are forced to control them. This trilogy also features a clash between magical old ways and more modern times, which is pretty popular right now. And isn't Mogget just the coolest cat-like trapped demon ever?
The Chronicles of Prydain by Lloyd Alexander — This quintet would make one heck of an excellent mini-series. The story of Assistant Pig-Keeper Taran who rises to become the eventual king over all of Prydain is already beloved by older generations. By turning towards television, Alexander's story can become loved by a new generation.
Crown Duel by Sherwood Smith — I read on her blog that Sherwood Smith is actually a screenwriter and would therefore be able to script the film if rights ever got bought. I'm fine with beloved books being adapted for film as long as they're well done, and who better to write the screenplay than the author herself? Plus Crown Duel is such a fun fantasy.
Gemma Doyle trilogy by Libba Bray — I'll admit that the main reason I want to see this trilogy turn into a film is because the scenery would be amazing. I had such an easy time seeing these books in my mind, and visuals are some of the most important aspects of a film. Oh, and for the pretty dresses.
Graceling by Kristin Cashore — I'd love to see Fire and Bitterblue turned into films as well, but I think that Graceling could stand alone as a great high fantasy that features a protagonist who not only can wield weapons,  but who regularly makes decisions regarding her sexuality, needs, and establishes a power that is all her own.
His Dark Materials by Philip Pullman  Technically The Golden Compass was already adapted as a movie not that long ago. But the movie, while okay, didn't really capture the essence of Pullman's series, and to actually appreciate the scope and brilliance of Pullman's work, the entire trilogy needs to be adapted into film form.
The Lost Years of Merlin series by T.A. Barron — This would make an excellent television series for middle graders, in my opinion. And for those adults like me who love a good fantasy. I mean, it's about freaking Merlin, King Arthur's mentor, and the years he spent learning about his destiny on the magical island of Fincayra.
Poison Study by Maria V. Snyder — The premise and political intrigue it inspires make this story well worth consideration as a film. Yelena is a heroine whose life is constantly on the line, working as a poison tester for her nation's leader and defending herself against political enemies. She's actually guilty of the crime she is sentenced for, so the story even toys with notions of morality.
The Scorpio Races by Maggie Stiefvater — The story itself is already incredibly atmospheric, and I'd love to see it brought to life through a film. Just like the book, the film's visuals would carry most of the story. And, really, who doesn't want to see what a water horse race would look like?
Any and all of Tamora Pierce's Tortall series books — I'll be a little more specific and say that Alanna's story should be the first one turned into a film. Or mini-series. Or television show. I'm not picky. It was the one that started everything. All of Pierce's heroines really deserve to reincarnated through movies, as they are some of the most multifaceted heroines I've ever read.


What are some fantasy novels you think are just begging to be made into films or television shows? And please link me up to your lists!
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September 8, 2013

Showcase Sunday #6

Showcase Sunday is a weekly meme hosted by Vicki at Books, Biscuits and Tea. Its aim is to showcase our newest books or book related swag and to see what everyone else received for review, borrowed from libraries, bought in bookshops and downloaded onto eReaders this week. 

For Review:
Where the Stars Still Shine by Trish Doller
Thanks to Netgalley and Bloomsbury Children's for the digital ARC! I was kind of curious about the praise Doller's debut, Something Like Normal, received, if not the subject matter itself. And the advance praise for Where the Stars Still Shine has also been very positive, so I jumped at the opportunity to review it for myself. I loved it and plan to have my review up by the end of next week.

Received: 
Asylum by Madeleine Roux
I received my very first print ARC after participating in my very first Epic Reads' Tea Time. Thanks, ladies! The more I've come to hear about this book, the less sure I am that this is a "me" book, however. I may give it a try to see if it works out, but if it doesn't then I plan on sending this on to a friend who I know is eager to read it herself.

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September 6, 2013

Review: Imaginary Girls by Nova Ren Suma


Imaginary Girls by Nova Ren Suma
Published: 2011, Dutton Books
Genre: Young Adult Paranormal
Format: Hardcover, 348 pages
Source: Borrowed from library
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When something big happens, you don't immediately point the finger at one person. A bridge collapses, and maybe that's what people call an act of God, not of the little girl in the backseat of a passing car wishing something would happen to keep her from having to stay the weekend with her creepy uncle. A plane loses its propellers and crash-lands on water, and no one blames the guy sitting in 13B who can't get a date and wants to die over it and doesn't care if he takes the whole damn plane with him.

No human being could take credit for changing fate.

Except for Ruby.


Half sisters Chloe and Ruby live in a small New York town surrounded by a reservoir that supplies water to the Hudson Valley and New York City. The reservoir has always been a source of fascination for the children of this town, and Ruby has filled Chloe's head with fanciful stories about the towns the reservoir waters rose to replace a century ago, especially the town of Olive. When Ruby asks Chloe to swim across the reservoir one night and bring back a souvenir from Olive, Chloe thinks only of making Ruby proud and impressing their friends.

Before Chloe gets halfway across the reservoir, before she can even contemplate diving down, she finds the body of fellow classmate London Hayes. Chloe cannot cope with what she witnessed and is sent away to Pennsylvania to live with her father and his family. But Ruby will not allow herself and Chloe to be separated for very long, and two years later she comes and takes Chloe back to their hometown.

Chloe cannot figure out how or why, but things seem strange in her hometown. Little has changed since that fateful night she discovered London's body. And now London herself is alive and walking around and no one seems the least bit concerned. The one thing Chloe does know is that everything somehow relates back to Ruby, as it always has and always will.

From an aesthetic standpoint, Imaginary Girls is pretty much perfect. Nova Ren Suma is clearly a talented writer, and her dreamy, poetic description imbued a sense of wonder in me as the reader. Her writing works with small-town life tropes and examines the bonds of sisterhood in new ways. By reading even a few pages of her work, readers can easily find themselves walking along the rocks that border the reservoir, starting into its dark, murky depths. We're there when Ruby sends off her red messaged balloons and when London and Chloe take a turn on the road away from their town.

Chloe's narration also has a dreamlike quality about it, best represented through her internal thoughts. There's always been something a little off about their town, about Ruby, but it's not until Chloe has left her town and returns to it later that she begins to notice it all. In a way, reading through Chloe's description is like seeing through water. Parts of what we as readers understand is crystal clear, while other parts are more translucent. Reality and Chloe's own understanding of things are never one and same, but the boundaries between the two are fluid.

There are more than a few indefinable aspects about this novel. Can it be defined as a contemporary with a supernatural twist? Flat-out paranormal? Magical realism? It's all of those, and then some. A good book, however, is about more than beautiful writing, and while Suma's prose is enchanting, unfortunately I'm not sure I can say the same about the rest of the novel.

Imaginary Girls is ultimately all about Ruby. Ruby's relationship with Chloe. Her wants. Her desires. Outside of Ruby, Chloe has very few defining traits. While I think I can understand Suma's decision in choosing Chloe to narrate, that only slightly lessened my aggravation. From a young age, Chloe has learned that her older half-sister Ruby is the only person she can rely on. Both of their fathers are completely out of the picture. Their mother is an alcoholic. And so Chloe learns to rely on Ruby and to do all that she asks. I get it, but still. Chloe is a completely passive character, putty in Ruby's calculating hands. Any small amount of agency she had while living with her father is gone nearly the second she and Ruby return to their hometown.

Suma presents an interesting perspective on the bonds of sisterhood, but not a very likeable one. And while I don't need my characters to be likeable necessarily, I need some understanding of why they act the way they do. Chloe's passivity is explained, but so many other aspects that make up their relationship never are. What, exactly, is so compelling about Ruby? What is this hold that she seems to have on everyone? When she returns Chloe to their hometown, Ruby is twenty-one, works part-time at a gas station, hangs out with high school students, and has no plans to do anything with her life. And somehow she manages to be revered at every turn. I am more than willing to suspend my disbelief while reading, but I need at least a little bit of a reason to do so. Ruby gave me none.

I ultimately ended Imaginary Girls feeling a bit dissatisfied. The unreliable narration and hints of supernatural seemed to suggest some big revelation by the end. But the ending, while well done, is not very unexpected.

My experience reading Imaginary Girls wasn't all bad, however. I was invested in the story while reading it and the story stayed with me once I closed the book. What Imaginary Girls has shown me is that Suma has a lot of potential potential that will hopefully be better channeled in future works. This is worth reading for the beautiful prose, but readers shouldn't expect to find any answers to their questions here.

Rating: 2.5 stars
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September 5, 2013

Review: How to Save a Life by Sara Zarr


How to Save a Life by Sara Zarr
Published: 2011, Little, Brown and Company
Genre: Young Adult Contemporary
Format: Hardcover, 341 pages
Source: Borrowed from library
Goodreads · Amazon · Barnes & Noble


Mom and I, different as we are, are twin planets orbiting the same universe of grief but never quite making contact. Maybe this baby is a good thing and I'm just not seeing it. Maybe it'll be a new little sun for us, or at least for Mom. Or maybe it will be a black hole that will suck us in and tear us to bits. Either way, we're at the point of no return. Hello, event horizon.


Ever since her father died in a car accident ten months ago, Jill's life has become irrevocably changed, and she along with it. Her mother has done her best to move forward, hoping to help Jill heal as well, but Jill wants none of it. In her grief she's alienated her friends and boyfriend Dylan. 

Mandy has not had an easy life, traveling around with her mother and whoever her mother's current boyfriend is. Mandy's grown up knowing that she was an unwanted child, and so, when she finds herself pregnant, Mandy believes her pregnancy is a ticket out of her old life and onto something better.

Jill and Mandy's worlds collide when Jill's mother decides that she wants to adopt another baby: Mandy's baby. In order to make the adoption as easy as possible, Mandy is to spend the remaining few weeks of her pregnancy living with Jill and her mother Robin. The new living situation is not easy or pleasant for either of them, but through learning to understand one another both broken girls begin a slow healing process.

I actually had a full review of this book written, but I just didn't feel satisfied with it. I'd noted my thoughts on the book on a more superficial level, without really describing how this book made me feel. So in this rewrite I hope I better convey my thoughts of Zarr's How to Save a Life. This revised review is a lot more personal than my reviews normally are, but in this case I think it's completely necessary.

What brings Jill and Mandy together, not to mention Jill's mother Robin, is the adoption of Mandy's baby. Adoption is a subject discussed intelligently and at length throughout How to Save a Life, and I was very impressed by it. I really appreciated the unconventionality of the adoption taking place, as well as how all three women offered completely different perspectives on the process as a whole. Through these three, Zarr is able to demonstrate many of the emotions common in people undergoing an adoption: fear, uncertainty, loneliness, shame, excitement, longing, and hope. 

I'm by no means an expert on adoption, but I do have some experience with it, as my parents adopted a little girl from China when I was thirteen. My late pre-teen and early teenage years were difficult ones, and I do believe that the looming knowledge that another baby was coming into my family was a large part of the reason why. The adoption situation that Jill goes through is a little more extreme, in both age gap and family structure, and yet, I couldn't help but emphasize with her situation. I'd been there. Even though both my parents were part of the picture, I knew how frustrating (and scary) it could be to imagine how drastically your life could be altered by a new addition to the family. Like Jill, I screamed, retreated into myself, and could not control the tidal wave of emotions running through my system those first few months.

As the story continued, I particularly enjoyed witnessing the change in Jill's attitude with regard to her life in general, as well as the impending adoption. It's too bad that this book was published after my family adopted my sister, because I think reading this would have been a particularly cathartic experience, and could have given me a better perspective on everything. I can easily admit that my sister's adoption turned out to be one of the best things that happened to my family, as well as to me. I read this book waiting for Jill to come to the same conclusion (which she does, quite satisfyingly).
 
How to Save a Life is full of dark subject matters: grief, death, self-doubt, loneliness, uncertainty. But it is also full of hope. Hope in an unborn child, hope for a better future, hope that someone, somewhere understands us, and that we are not alone in our suffering. Zarr deftly manipulates the feelings of her characters and readers, piling on the darkness while always allowing tiny rays of hope to shine through. 

The hope is also demonstrated through the relationships that the two girls form, romantic, familial, and friendship. Perhaps it isn't a novel concept that humans gain strength through others, but it is approached in a truly compassionate and poignant way in How to Save a Life. From the tentative steps that Jill and Mandy take towards a friendship to the gradual melting of Jill's ice wall between herself and the rest of the world, Zarr shows how sometimes the best remedy is simply having the support of another person.

How to Save a Life was not a perfect read, however. At times I found the depth of emotional turmoil a bit frustrating, and I do wish, as the catalyst for the entire book, that Jill's mother Robin had been given even more of a voice. My main complaint is  the predictability of the ending, although I have to admit there is really no other way that this novel should have ended. 

Overall, though, I found myself to be quite impressed with my first experience reading Zarr. Her ability to create real, nuanced characters is impressive, as is the tight plot and strong writing. And I absolutely loved the fact that I was able to relate to her story on such a personal level. I plan on reading more of Zarr's books in the future.

Rating: 4 stars
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September 3, 2013

A Summer Series Challenge Recap

The Summer Series challenge was hosted by the lovely ladies Lauren (Love is Not a Triangle), Heather (The Flyleaf Review), and Asheley (Into the Hall of Books). It ran from June to August of this year.
So those series I planned to read for this challenge? Didn't happen so much. I did, however, manage to complete one previously-started series and to read three other series in their entirety.











 


Series Completed:
Jessica Darling series by Megan McCafferty














Series Read from Start to Finish:
Dairy Queen trilogy by Catherine Gilbert Murdock
Dreamhunter duology by Elizabeth Knox
Killer Unicorns duology by Diana Peterfreund
 
Don't miss my guest post on why I love duologies! And I recommend checking out Lauren's compilation post of all the fun and insightful guest posts for this event.

Thanks for the great time, ladies! I had a lot of fun.
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August 30, 2013

Review: Perfect Fifths by Megan McCafferty


Perfect Fifths by Megan McCafferty
Series: Jessica Darling, #5
Published: 2009, Crown
Format: Hardcover, 258 pages
Genre: Young Adult Contemporary
Source: Borrowed from library
Contains spoilers for Sloppy Firsts (my review), Second Helpings (my review), Charmed Thirds (my review), Fourth Comings (my review)
Goodreads
· Amazon · Barnes & Noble


Gone for a while
Hoping, always, to return
If you will let me 




Now that the end has finally come, I'm a bit in denial about it all. While readers now have the opportunity to read about Jessica Darling's pre-teen years in the Jessica Darling's It List series, it looks like Perfect Fifths is the end of the road for Jessica's adult life. And maybe that's a good thing. In some ways, the series started dying (or at least going in a way different direction) after Jessica graduated high school. There are highlights and great moments peppered in the third, fourth, and fifth books but the transition from high school is a difficult one to record in any medium, not just books. I like that even by the end of Perfect Fifths, Jessica is not a perfect character and still questions what she wants out of her life, albeit with slightly more of a direction.

Twenty-six-year-old Jessica Darling is tired. She still lives with her best friend Hope in Brooklyn, but her job as a literacy/writing mentor for various high school students requires her to be on the road for much of the year. Mentoring, however, has also given Jessica a sense of purpose and she's started setting up plans for her next career move. It is because of her job and the connections she's made with some of her mentees that Jessica finds herself late for her flight out of Newark airport. Her good friends Bridget and Percy are getting married in St. Thomas the following day and now it appears that Jessica will not be there in time to celebrate.

But it's also in Newark airport that Jessica (literally) bumps into a reminder of her past: Marcus Flutie. Marcus is returning to his final semester at Princeton after spending a few weeks of winter vacation rebuilding houses in New Orleans. This chance meeting brings up thoughts and topics that neither have discussed for years, but, over the course of the day, their meeting seems less and less like a chance encounter and more like it was meant to be.

The most major change is the style in which this book is written. No longer are readers (and one Marcus Flutie) privy to all of Jessica's internal thoughts and conflicts via dairy entries. Instead, McCafferty makes the bold choice of telling this story in alternating first-person present between Jessica and Marcus. On the one hand, I can completely understand the need to change the literal format of the book: during her high school years, Jessica journaled as a way to maintain her sanity in a town/school where no one seemed to understand her once her best friend moved away. During college, Jessica journaled infrequently, and primarily about things and people related to her high-school life. A few months after graduating, Jessica spent a week recording the current events of her life and her state of mind for her boyfriend Marcus. Now Jessica is presumably too busy to write in a journal. Not only that, but the current events in her life seem not to inspire that desire in her.

And that's fine. I think it makes sense that Jessica would have given up journaling. My main complaint is the writing style that McCafferty chooses to use: first-person present. I have made it no secret how much it annoys me to read a book written in this tense. Not to mention it's just confusing and it doesn't make sense that this story needs to be told with this degree of immediacy. And not only that, but I found the dual narrative strange and unnecessary. Marcus Flutie has always been an important fixture within the series, of course, but it's one thing for him to be one of the centers of attention and quite another to now hear half the story from his point of view. It felt a little like maybe McCafferty was placating her fans who demanded more Marcus after him being in mind but out of sight for the majority of the past two installments. Marcus' voice was interesting, but not particularly revelatory.

I thought the time span for Fourth Comings was short (a little over a week), but this wins by far. This story takes place over about twenty-four hours. Twenty-four hours low on in-the-moment action but high on flashbacks. Perfect Fifths gives the sense that everything is, in fact, coming full-circle. Jessica believes she's found her purpose in life mentoring high school girls and encouraging them to use writing to express themselves. There are mentions of those who have been important parts of her life, friends and family alike, even if none actually make an appearance in this book. At its core, Perfect Fifths seems to be about Jessica and Marcus and their "resolution in irresolution" (not a quote from the book, but it seems applicable).

Perfect Fifths does not quite contain the luster and excitement present in previous installments. The short physical amount of time spent with an isolated Jessica and Marcus is nice, but really just too brief. It's almost as if Jessica has not only outgrown her journaling habits, but my interest as a reader (not completely, but to some degree). But it was good to see Jessica one final time, and the ambiguous ending is fine with me (because then I can let my inner Jessica-Marcus shipper believe that after going through so many challenges over the past ten years and then reuniting the way they did, nothing will ever be able to come in between these two again). And I definitely do not regret the experience of watching Jessica grow and learn over the course of this series. 

Rating: 2.5 stars
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