November 4, 2012

In My Mailbox #8

In My Mailbox is a weekly meme hosted by The Story Siren. It's a great way for book bloggers to showcase books and other literary things they've received over the past week. 

I haven't received too much these past few weeks, for which I'm grateful. I've been so overwhelmed and stressed recently that reading has taken a backseat to everything else in my life. But perhaps reading some great books will make all the difference!



Purchased:
The Assassin's Curse (The Assassin's Curse, #1) by Cassandra Rose Clarke
Every review I've read of this book is overwhelmingly positive. Assassins and pirates? Well, if I think of assassins as a type of ninja, then this brings together the best of both worlds. Plus the ebook price was very reasonable. Look out for my review next week! 
Eon (Eon, #1) and Eona (Eon, #2) by Alison Goodman
I've had my eye on these books for a while. A book with a girl masquerading as a boy in order to fight in an Asian-inspired world? This is totally my kind of book. In fact, I'm so confident that I'll love this series that I actually went ahead and bought physical copies from my local indie bookseller.  
The Song of Achilles by Madeline Miller
This was a bit of an impulse buy for me, I'll admit it. I'd read a few reviews of it (and even an interview where J.K. Rowling was reading it) and I saw that the Kindle version was on sale. I love everything to do with Greek mythology and have been reading the stories myself for years. I haven't read any Greek mythology-inspired fiction in a while, however, and I still have yet to read The Iliad. But reading this would be a step in the right direction.


Borrowed:
Wintergirls by Laurie Halse Anderson
I started the audiobook of this, got impatient, and moved on to reading a physical copy for the second half. It's definitely an issues-driven contemporary read, but I ended up really enjoying it. My review is here.
The Age of Miracles by Karen Thompson Walker 
One of my good friends recommended this book to me back in August. I've seen a number of positive reviews, but also a few negative ones. Still, I give personal recommendations a lot more weight than I do for any reviews I just read, so I decided that I wanted to give this book a try. I guess this book has been getting a lot of press recently, since I've had it on pre-order from the library and am only now just receiving it. I am eager to see where I fall on the spectrum of liking it.

Let me know what books you've received recently!
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November 2, 2012

1book140 Twitter Book Club

Has anyone heard about the Twitter book club organized by The Atlantic? It was just brought to my attention in class the other week and sounded really cool, so I thought I'd take the opportunity to share information about it on here.
 
The basic premise of 1book140 is to promote reading on a global scale, where all members need to participate is access to the monthly book and a twitter account.  
 
My understanding of the logistics: The community picks a general topic or author each month, and then all participants have the opportunity to nominate potential books. Of those nominations, a shortlist is created and then voted on. The current read for November is Hilary Mantel's Wolf Hall (which I'm really interested in reading myself).
 
Right now I am learning how librarians and those tied to professions that promote literacy have to constantly look for new ways to make literacy accessible, affordable, and interesting to their patrons. There are book clubs hosted by different organizations, within friend groups, even within communities. But I love that not only would a twitter book club be generally accessible to most people, but it would be a way to learn about so many different societal/cultural perspectives. After all, aren't book clubs supposed to be about taking the personal experience of reading and then sharing your experiences with others and learning their thoughts as well?
 
More information can be found on The Atlantic's 1book140 page.
 
Have any more information to add? Has anyone participated in 1book140 before? I'd consider participating, if I was interested in the book selection and had the time. I tend to overwrite, so it would be a useful challenge to write thoughts within the 140 character limit constraints of twitter.
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October 31, 2012

Review: The Casual Vacancy by J.K. Rowling


The Casual Vacancy by J.K. Rowling
Published: 2012, Little, Brown
Genre: Adult Fiction
Source: Personal book
Goodreads · Amazon · Barnes & Noble 


None of them was Barry. He had been a living example of what they proposed in theory: the advancement, through education, from poverty to affluence, from powerlessness and dependency to valuable contributor to society. Did they not see what hopeless advocates they were, compared to the man who had died?


I can readily admit that if anyone other than J.K. Rowling had written The Casual Vacancy, this is a book I would have never crossed paths with. The Casual Vacancy is all about the mundane, everyday lives of people in an equally unremarkable English village. Usually I like my books to have a greater sense of purpose than Rowling's first piece of adult fiction has. After finishing the book, however, I found that I had greatly enjoyed the reading experience. After all, I do think that the banality of everyday life is a powerful force in uniting people. 

The Casual Vacancy takes place in the small town of Pagford. Although it seems idyllic from a distance, the town is rife with strife. A large portion of the strife is brought to the surface once Barry Fairbrother, a member of Pagford's Parish Council, dies unexpectedly. For at this critical time in Pagford's existence, the citizens of Pagford are debating about whether Pagford should continue to be responsible for the Fields, a low-cost low-housing area filled with mostly undesirable residents, and whether the Bellchapel addiction clinic, whose main clientele is people from the Fields, should remain open due to Pagford's tax dollars.  

Barry himself was a great story of success: he grew up in the Fields, went on to receive good schooling, and ultimately became a bank manager and well-respected leader in Pagford. Unfortunately most of the Fields' residents cannot boast the same claims to fame, and with the main proponent of the responsibility of Pagford to maintain the Fields and Bellchapel gone, there is a undisputed void. Although others try to carry on Barry's legacy, most notably the town's GP Parminder Jawanda and school principal Colin Wall, their fight is fraught with difficulties as those who wish to rid Pagford of the Fields and Bellchapel continue to gain power.

With a large cast of characters, a well-established conflict with clear issues and goals on each side, and a town steeped in history and politics, The Casual Vacancy seems like a daunting read. It did take me a while to become immersed in the characters and all of their individual and intermingled conflicts. But then I found that I did care quite a bit. Over the course of the novel I became invested in the town's fate, as well as the fate of over fifteen characters. This is why I love J.K. Rowling. Although The Casual Vacancy seems to be a story about local politics, the politics are used to instead frame a multifaceted story about the everyday lives of many different people, many whose only commonality is living in the same area.

Based on my experiences reading Harry Potter, I knew that J.K. Rowling's strength lies in characterization. Even in the magic-filled world of Harry Potter, it was J.K. Rowling's characters that captured my attention and my heart. The same holds true for The Casual Vacancy. I was actually a little surprised to find that my favorite character is Barry Fairbrother, especially since he's dead for the majority of the novel. But the way that he is able to positively influence people of so many backgrounds, to affect change in this small town, is amazing. He continues to exert a forceful presence throughout the majority of the novel. None of the other characters can ever measure up to the standards that Barry has set, and, indeed, everyone is an interesting mix in shades of grey. But it was not too difficult for me as a reader to peel back the layers surrounding the characters, to see both the bad and the good qualities of each person. Okay, maybe there were a few characters I really had a difficult time finding any redeeming qualities in, but they were definitely among the minority.

Make no mistake: The Casual Vacancy is very far-removed from the magical world of the Harry Potter series, even if both the series and this book both have phenomenal characterization. The Casual Vacancy is very much an adult book; it's full of many tough subjects and is definitely not appropriate for child readers. At first I admit that I was turned off by the (overly) mature tone of this book. This is J.K. Rowling writing this, I wondered to myself, scandalized, at many early instances in the novel. It does take some adjustment to accept how much Rowling was able to alter her tone for her new intended audience. But I did not feel that anything was gratuitous, or to simply show that Rowling could write for older audiences.

With that being said, however, I still found myself more drawn to the teens of Pagford rather than the adults. Fats' search for authenticity, Sukhvinder's struggle not to be completely subsumed by bullying and harsh parents, Gaia's frustration at being relocated to a small town, Andrew's overwhelming feelings for Gaia, Krystal's determination to make life better for her little brother: these teens were most identifiable and seemed to undergo the strongest characterization. I am much closer in age to the teens than to the adults in the story, however, so this could simply be my perception. I may have to reread the book again years down the road to see how much more relatable the adult characters become.

The tough topics that Rowling chooses to address ensure that there's no truly happy ending here; how can there be, if we as readers are exposed to characters of all different perspectives? Outwardly the beginning and ending seem to mirror each other. Internally, however, we as readers can close the book feeling satisfied that the characters really have evolved, that their lives have in fact changed over the course of the book. Not everything has an easily identifiable answer, or ends on a good note. But then, that's life.

I went into The Casual Vacancy fully expecting to be a little biased. After all, J.K. Rowling has ensured herself a permanent place among my favorite authors ever due to the Harry Potter series. I do think, however, that Rowling has proved her versatility with The Casual Vacancy. It's a slower, more adult read, but stick with it because it's well worth the effort.
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October 30, 2012

Top Ten Favorite Kick-Ass Heroines

Top Ten Tuesday is a weekly meme created by the bloggers of The Broke and the Bookish. This week's topic is our lists of favorite kick-ass heroines. This list is me in my element right here. There's nothing that draws me into a book like a tough female protagonist who is willing to fight (with brawn and brains) for her beliefs. I believe that kick-ass is more of a state of mind than simply a display of physicality, so I wanted to feature heroines with both inner and outer strengths.
 
Alanna the Lioness (The Song of the Lioness quartet by Tamora Pierce) — Alanna should be topping any list that features kick-ass fantasy heroines. I mean, she masqueraded as a boy because she felt that Tortall's laws that prohibited women from becoming knights were unfair. Alanna is also not a naturally gifted warrior; her books go into detail about how much effort she puts into training and that her status as the King's Champion is the result of hard years of self-sacrifice and work. I love that this bigger-than-life legend is actually a tiny redhead with a fiery temper.

Éowyn (The Lord of the Rings by J.R.R. Tolkien) — Again, I can't resist the girl masquerading as a boy! Éowyn cannot let all those she cares about fight against the armies of Mordor while she sits at home because a little thing like gender makes fighting not allowed. And of course I love how she's able to kill the Witch King. There are other strong female characters in this epic book, but I appreciate how Éowyn's strength is through defying the norm and proving that she's a valuable asset in the battle.  

Katsa (Graceling by Kristin Cashore) — Katsa doesn't want to live life on anyone's terms but her own. Her Grace has given her amazing skills, but for years she's suffered as the king's thug under her cruel uncle's reign. She's a wave of emotions and doesn't quite know what she wants out of her life, but Katsa does have a strong sense of morality and a determination to use her fighting and survival skills to help others instead of hurting them. Katsa is without a doubt one of the strongest and most independent heroines I've ever read.

Katniss Everdeen (The Hunger Games trilogy by Suzanne Collins) — Katniss is an easy choice for this. She is resourceful, determined, and is incredibly talented at using the bow. It doesn't hurt that her strongest motivation in life is to take care of her younger sister and all of those harmed by her dystopian government. Although Katniss could have easily fallen in to the "do whatever it takes to harm the enemy, even if others have to be sacrificed in the process" train that Gale is on, she doesn't. Not only is she a fighter, but she's a fighter with strong morals.  

Hermione Granger (Harry Potter series by J.K. Rowling) — Although Hermione is not  kick-ass in the traditional fighting sense (though I'm sure she'd be victorious in any duel), she still is a fierce heroine. She prefers to abide by order and rules but is not above breaking ones she finds to be unjust. And no one can match Hermione in terms of loyalty. Although she may tell Harry in book one that books and cleverness can't rival his bravery, I disagree. It's a different sort of strength, but a strength nonetheless.

Kahlan Amnell & Cara Mason (Sword of Truth series by Terry Goodkind) — I can't pick just one of these heroines from this series. Kahlan is the freaking Mother Confessor, an elite order of woman that has the power to determine the truth through a single touch. Cara Mason is a Mord'Sith, another solely-female order that is able to manipulate and negate the magic of others and also has the ability to mix pleasure and pain upon its victims. They both have radically different views of justice, yet are protective of those they love and are proven warriors.

The Queen of Attolia (The Queen's Thief series by Megan Whalen Turner) — My love for Irene Attolia is hard to explain since I don't want to give away any spoilers for the series. Suffice it to say that while she doesn't wield a weapon, she's easily one of the strongest heroines I've ever read about. She is fully adept at playing games of politics, able to manipulate those who would threaten her kingdom through her looks, her words, and her charms. She is resolute and relentless, always doing what is best for her country, regardless of her personal desires.

Sansa & Arya Stark (A Song of Ice and Fire series by George R. R. Martin) — Once again, I refuse to limit myself by picking only one character from a series. Arya is clearly the stereotypical "kick-ass" female who learns how to wield a sword and defies gender conventions, but Sansa should not be so easily dismissed. Sansa haters baffle me, because I think Sansa is one of the strongest characters. Sure, she's not physically strong and her defiances work within the system, but subtlety should never be underrated. 

Meliara Astiar (Crown Duel by Sherwood Smith) — Oh Mel! Mel is a heroine who has to learn how to become a heroine. She's more than willing to fight against a corrupt kingdom but quickly realizes she understands absolutely nothing about battles, fighting, or intrigue. But she's willing to learn whatever it takes to protect her family's lands. The two books show Mel's progression from a young girl with lots of ideals but without a clue in how to bring them about to someone able to hold her own at court and face down the most dangerous enemy.

Lyra Belacqua (His Dark Materials trilogy by Philip Pullman) — Lyra is without a doubt the fiercest literary child-turning-teenager I've ever had the pleasure to read. She's scrappy, crude, and coarse, yet she is one of the most loyal protagonists ever. Again and again she follows her heart and shows that she's willing to do whatever it takes to protect those that she loves. And her friends (a shape shifting-daemon, a boy with a knife that cuts windows into other worlds, sentient polar bears, witches) help make her that much more kick-ass.

These are some of my favorite kick-ass literary heroines, so now let me know some of yours!
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October 25, 2012

Review: Wintergirls by Laurie Halse Anderson


Wintergirls by Laurie Halse Anderson
Published: 2009, Viking
Genre: Young Adult Fantasy
Source: Library book
Goodreads · Amazon · Barnes & Noble
 

We held hands when we walked down the gingerbread path into the forest, blood dripping from our fingers. We danced with witches and kissed monsters. We turned us into wintergirls, and when she tried to leave, I pulled her back into the snow because I was afraid to be alone.


Wow. I'm at a loss to describe the intense emotional impact I underwent while reading and listening to Laurie Halse Anderson's Wintergirls. The YA bookgroup that I am a part of decided to focus October's discussion on issue books, with the main focus on a reading of Wintergirls. In terms of issue books, Wintergirls was a fantastic choice. Unfortunately I was unable to attend the meeting once again (some day I will get there!), but I still enjoyed reading it and am glad that if I can't discuss it in person, then at least I can record my thoughts of it on here.

Lia and Cassie have been next-door neighbors for years. They had sleepovers every weekend, spent summers and warm afternoons in a tree house together, and at twelve years old they made a pact to be the skinniest girls. After Lia found herself committed to an institute for those dealing with eating disorder for the second time the summer before their senior year, however, she and Cassie lost touch. Cassie did not return any of Lia's phone calls, so when Cassie tried calling Lia thirty-three times one night a few days after Thanksgiving, Lia did not answer her phone. And then Lia found out that Cassie died that night.

Through her death Cassie found a release from the cycle of bulimia that had afflicted her for years. But Lia's struggles continue to get even worse. As each weight goal is reached, Lia sets a new one for herself. She exercises, eats the smallest amount possible to get by, and watches her weight get lower and lower. Lia doesn't know what exactly caused Cassie's death, but now she's haunted by visions of Cassie, in addition to her internal demons. Lia's struggle to return to normality begins before Cassie's death, but it is Cassie's death that forces all of Lia's internal and external struggles to come to a head.

First off I need to say that I've been fortunate in that I myself never had any eating disorder problems as a teen, nor did any of my friends. That being said, I wondered how difficult it would be to really emphasize with either Lia or Cassie's characters. Since Cassie's character is revealed completely through Lia's perspective both in flashbacks and hallucinations/visions, I struggled a bit more with her characterizations. Lia, however, is such a solidly-written and relatable character.

In Lia Anderson has created a protagonist unable to be ignored. I really enjoyed how fully-fleshed Lia's struggles were, and how her internal issues have external consequences and vice versa. On the one hand, Lia has been extremely conscious about her weight in one way or another for over five years. By the time the book starts, her extreme consciousness has devolved into an anorexia she cannot fight. Cassie acted as a support system in Lia's goals, so perhaps that's one reason that Cassie continues to haunt Lia. After all, by this point many external factors are attempting to help Lia break away from this path. Her parents, for one, and her psychiatrist. Lia also wants to be a good example for her little stepsister, but even that desire is not enough to supersede her desire to be the thinnest. Lia has already been hospitalized twice. I'm not sure if Anderson is truly trying to critique the practices we currently have in place for dealing with emotional and eating disorders, or rather if she's just trying to demonstrate how complex the issues really are. As the story continues, what has already been blatantly obvious to the reader starts to become apparent to Lia herself: her weight desires can never be anything but opposed to every other desire in her life.

Told through Lia's perspective, Wintergirls offers a glimpse of unreliable narration at its best. As a reader I honestly had some trouble determining what was real, what was in Lia's head, and what was a little bit of both. All the events and feelings get jumbled together in the mind of an emotionally disturbed girl. I'll admit that I have a longstanding adoration for unreliable narration which probably can be traced back to my first read of Megan Whalen Turner's The Thief. I love how unreliable narration forces the reader to become more involved in the story as he or she must work to piece events together. And Lia's use of flowery language just made sense within the context of the book. If I could have just listened to the descriptions without trying to figure out what they were referring to, that would have been perfect.

Raw and emotionally wrenching, Wintergirls was an incredibly difficult read for me. It's not something I can ever imagine re-reading. But, really, I don't think that I'd want a book with this subject matter to be written any other way. It is an important and thought-provoking read that I think should be required reading for teen girls and those past that age who may need help remembering how difficult the teenage years can be.

Additional note: I listened to the first half of the book via audio CDs and read the second. I hadn't listened to an audiobook yet and, with a long drive over the weekend, I felt that this would be a perfect time to give it a try. But then I got impatient and I ended up reading the second half of the book since I knew it would be faster. And I'm glad I did so, because Wintergirls is a book full of experimental formatting which I would have completely missed if I only listened to the audiobook. I'm not opposed to trying an audiobook again, although I need something that is more traditionally written. And also something that is fairly straightforward. I worry that as a reader I'll lose a lot by simply listening and being unable to see the text. I'd appreciate any suggestions of books that work really well in the audiobook format!
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October 23, 2012

Top Ten Books to Get in the Halloween Spirit

Top Ten Tuesday is a weekly meme created by the bloggers of The Broke and the Bookish. This week's top is ten books to get in the Halloween spirit. Now, I love Halloween. I love the idea of a day where you get to dress up like (and become) someone else. I find the history behind the holiday fascinating. As for the horror element of the holiday...not such a fan. I don't do scary very well. So since I haven't read any horror novels, I instead picked lots of Gothic and romantic-era books that are still evocative of the dark and creepy mood we associate with Halloween.

And Then There Were None by Agatha Christie And Then There Were None is Christie's most enduring work and possibly the best murder mystery story ever. And, since Ten by Gretchen McNeil seems to be a YA take on Christie's novel, I think it's important to recognize this original murder-mystery literary masterpiece. This was my first Christie book but by no means my last. There's tons of suspense, murder, and an incredibly clever twist.
 
Interview with the Vampire by Anne Rice Anne Rice is the one responsible for reintroducing the vampire to our modern culture. A lot of the aspects we take for granted in vampire lore were popularized (if not created) by Rice. Even if you're in love with the sparkly vampires prevalent in today's culture, I think it's important to look back and see a prime example of a time when vampires were terrifying monsters, immortal killers, and dangerously charismatic.

Frankenstein by Mary Shelley The "Frankenstein" costume is a perennial Halloween costume (English major critique: Although it should actually be called "Frankenstein's monster." Frankenstein is the name of the scientist who creates this being, not the being itself.). But seriously, Shelley's work has got all the elements for a perfect Halloween read: the dark and cold weather, the crazy scientist, the monstrous creation. Plus it's an enduring classic of nineteenth-century British literature. 

Rebecca by Daphne Du Maurier I absolutely adore this book! Rebecca is the story of a young, unnamed protagonist who has recently married a wealthy, older man. As she tries to fit in to her new life, all around her she keeps hearing about her husband's previous wife, Rebecca. Rebecca's presence is pretty much a constant factor throughout the book. This is definitely a haunting book as the memories of Rebecca literally haunt our protagonist.

Jane Eyre by Charlotte Bronte Now before you dismiss this choice as irrelevant, let me explain. The infamous red room scene? The idea of the crazy woman in the attic? Mysterious fire? Bronte's most famous story about the relationship between a young governess and her mysteriously reclusive employer is not simply a love story. Much like her sister Emily's Wuthering Heights, Jane Eyre is a very atmospheric tale with a creepy mood spread throughout.

The Hounds of the Baskervilles by Arthur Conan Doyle Once again, here the author utilizes the idea of the moors and bleak countryside to create a tale full of perils. The hounds mentioned in the title are like ghosts, glowing a faint green and haunting the lands at night. And of course it wouldn't be a classic Sherlock Holmes story with a murder or two. 

Anything by Edgar Allan Poe I'm rather partial to some of his short stories like "The Pit and the Pendulum," "The Tell-Tale Heart," and "The Cask of Amontillado." Poe's stories are classic horror fare, and his short stories are all quick reads. For many of his stories, I went in expecting darkness and despair and yet still found myself surprised by how dark they become.

The Italian by Ann Radcliffe At first glance, Radcliffe's famous work could easily be taken simply as a Gothic romance. But add in a murderous monk, the Holy Inquisition, and sinister and mysterious surroundings and you've got the makings of a dark tale.

Coraline by Neil Gaiman The monsters and beings that Coraline faces in her alternate-reality home should definitely be part of any Halloween celebration. Going into a home like yours but with subtle differences that gradually become more pronounced sounds so creepy. And the people have buttons for eyes! Ick! The version that I read even had illustrations to help readers get better visuals.

Unwind by Neal Shusterman I am not a fan of Unwind by any means, but I picked this novel mainly because it's been a very long time since I've read something that's creeped me out so much I was unable to sleep that night (the last book I remember creeping me out to this degree is actually Frankenstein). It is a book that really examines the boundaries of life and death and what it truly means to be alive, so since death is a common theme of Halloween I think this is fitting.

What books get you in the Halloween spirit?
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October 22, 2012

Recommend A... Book That Kept Me Up All Night

Recommend A...is a new weekly feature hosted by Chick Loves Lit, where bloggers recommend a book based on a specific prompt.
 
This week's prompt is to recommend a book that kept me up all night. Now, I'm actually very good at not staying up all night reading. Working and having real-world responsibilities will do that to you. However, the last book that I actually did read into the late hours of the night and then stayed awake thinking about the story and it's implications was:

Unwind by Neal Schusterman
Unwind trilogy, #1

My recommendation for this book is not quite a positive one. On a weekend night I was starting to get close to the end and SO MUCH was happening that I realized I couldn't possibly put it down. And then that one scene happened. Sleep after that was impossible. I still feel disturbed just thinking about that scene. Anyone who has read the book should understand exactly what I'm referring to.

I appreciated the fact that Unwind does ask some huge moral questions. The book's premise is that the conflicting views on abortion caused a war, and the war's resolution was that pregnant women can no longer abort unwanted children, however they can choose to retroactively "abort" their children as teenagers. This is declared legal because those teens who are "aborted" or unwound have all their body parts still alive and in use...just in other peoples' bodies. The story itself follows three teens who have been sentenced to unwinding but for various reasons are resistant to their fates. Sounds creepy, right? And disturbing and horrifying and I honestly have no idea why I thought it would be a good idea to read this book. It was a really thought-provoking book, of course, but I just don't think it was worth the emotional trauma that I endured from the experience of reading it.

Please tell me I'm not the only one who feels scarred from reading this book. It's not that I am firmly against reading late into the night (on weekend nights), but I'd prefer that it be for something that I really enjoy. And preferably full of butterflies and rainbows and glitter. That sort of thing. Link me up to the books that have kept you up at night (for good reasons)!
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